Mystery White Boy
Banned
The fifth TD tower, the Ernst & Young building, looks like it was squeezed into the complex and plunked uneasily on top of the old Stock Exchange as an afterthought. It is faux-Mies by Bregman+Hamann. In a perfect world I wouldn't mind seeing that one removed, to give some breathing space and return to the original plan. With its repitition of form, proportion, texture and colour the centre is considered one of Mies's masterworks. The Georgian and Victorian Toronto downtown that we admire so much was also built from many similarly-sized buildings, constructed with similar materials, all contributing to a similar sense of wholeness and continuity in the streetscape. Our current good neo-Modernist architects are producing buildings that are practically interchangeable in form, and they're doing much the same thing today that the Georgians and Victorians were doing - fitting in and expanding the context. It is perfectly possible to build an entire city this way, from beautifully-proportioned buildings that don't shout for attention and diss their neighbours.
Too much continuity is monotonous. You need variation.