As well as unneeded expense and poor choice of what adds to most riders' experiences, there's the very real issue of *disorientation* for some (and this includes myself at times, years of cancer treatment have taken a toll on some receptor processes) and from the descriptions given, I would avoid dwelling on both of these while trying to navigate my way to a destination. I'm only mildly affected, aging eyesight and compromised depth perception add to the proclivity to convolute visual planes, but for some, both of these would be an absolute nightmare:
Someone, a few, are *really* not thinking on this one. I'd suggest they consult some experts on this before going ahead with these at the locations stated.
How bad is this for someone with compromised perceptual abilities? Almost as bad as physical barriers for wheelchair users.
Note where the 'crystalline corruption of depth and distance' is aimed right at people on *escalators* for God's sakes. In my case, the problem is overly-acute processing of the image, to the point of affecting balance and sense of position. I'd immediately grab the moving handrail and look away. For some, that reaction wouldn't be reflexive, they'd just lose their balance on the escalator.
Read the artist's own description, and then think about how this will affect some:
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Ya know, I don't blame the artist so much as the morons in charge of bureaucratic dispensation of saccharide disorientation. By all means *please* the eyes. But challenging the safety of a sizable minority of riders is just plain @#%&*) stupid.
Next week:
Infinity Mirrors presents a surprise display at Yonge and Bloor station! Dazzle people! Take them to a new world where what they see isn't real! See them trip and fall in delight, and bleed the meaning of life from within.