Here is the article from Canadian Architect:
31A Parliament Street, Distillery District
Award of Excellence
ARCHITECT ARCHITECTSALLIANCE
LOCATION TORONTO, ONTARIO
31A Parliament Street is a six-storey freestanding commercial/retail building located at the southwestern edge of the Distillery District, in what was the commercial district of 19th-century Toronto. Over the past six years, a private development company has repurposed this superlative collection of limestone and brick industrial buildings--formerly the Gooderham and Worts Distillery--as an arts and culture precinct comprising stores, galleries, craft studios and performance spaces.
On behalf of the developer, the architects have designed a new structure that will house the production facilities and corporate headquarters of a multi-media production company. The building will be sited on what is now a surface parking lot at the edge of the Distillery District. It will extend the fabric of the District to the south and west, and will complement an adjacent mixed-use high-rise development that the architects are designing for the same client.
The program includes sound and broadcast studios, film labs, administrative offices, meeting rooms and lounges along with retail space and a multi-storey public atrium at grade. Underground parking will accommodate staff and visitors while preserving the District's pedestrian-friendly public realm.
The architectural conceit behind 31A Parliament is the reinterpretation of a characteristic Distillery building type: the rackhouse, where casks of aging spirits were stored in four- and five-storey-high post-and-beam timber frames. A grid of concrete beams supports the new structure, which is divided along its east-west axis to present two contrasting façades reflecting the distribution of the building's programmatic elements.
The transparent north-facing volume animates a new public square and evokes the light and transparency of the film medium, animated by free-floating, multi-coloured production units randomly scattered across the grid. In their work for academic clients, the architects have discovered that new ideas are often generated outside the workplace proper. Accordingly, multi-storey lounges are located at grade and are interwoven with studio space throughout the production side of the building; these create amenity for staff and provide opportunities for informal networking and brainstorming.
The south-facing masonry volume echoes the form and mass of adjacent warehouses. The grid is filled in with a series of narrow floor plates that accommodate the tenant's administrative functions and centralized building systems.
Daoust: A simple yet elegant building that works with the evocative power of the site. An immaterial and seamless façade showcases a powerful emulation of the post-and-beam timber frame construction now housing the volumes of the production units. This project opposes a glass box and a masonry volume and empowers both. Sadly, no information was provided on the masonry volume.
Kearns: This is an elegantly contrived solution to the challenge of building in a unique former industrial heritage district. The architect has engaged with the context not just in planning terms but also in the scale, texture and construction regime of Toronto's industrial heritage. A walk through the Distillery District impresses on the visual and tactile senses a continuum of textured red, gritty brick and rough limestone surfaces punctured by small window and door openings. This project opts to stay within that family--it acknowledges its contextual regime but provides us with refreshing respite in its smooth glassy skin, transparency, lightness and precision of construction. The architecture resonates well with the programmatic functions of a multi-media company--it is a big window in a district of brick and stone.
Ostry: This project takes a deceptively simple idea from a collection of Victorian warehouses on a national historic site and produces a design that promises a dramatic contemporary expression. Despite the architects' claim of conceit behind the reinterpretation of a building type, the design does not resort to an architectural language of cliché or rhetoric. The curtain wall acts as a marquee to the public realm as well as a skin around a jumble of "floating" containers that make abstract reference to original pot stills. The independent systems of vertical circulation do not appear to reinforce the potential for adaptability to change.
Krawczyk: I think it looks cool.
CLIENT CITYSCAPE DEVELOPMENTS INC.
ARCHITECT TEAM PETER CLEWES, ADAM FELDMANN, HAJI NAKAMURA, SANJA JANJANIN
STRUCTURAL JABLONSKY, AST AND PARTNERS
MECHANICAL/ELECTRICAL ABLE ENGINEERING INC.
INTERIORS ARCHITECTSALLIANCE
AREA 6,500 M2 (RETAIL 835 M2; COMMERCIAL/PUBLIC SPACE 5,665 M2)
BUDGET $16 M
COMPLETION 2009