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1 St Thomas (Lee Development, 29s, Stern)

What's your opinion of 1 St. Thomas?


  • Total voters
    33
  • Poll closed .
Odd

One of my beefs about 1 St. Thomas, I guess, I just that every time I read something about Robert Stern I end up disliking him more, and then I end up hating this building as a kind of reminder of his presence on the globe. (To be fair, I tend to avoid reading about architects at all, because they almost all strike me as pompous, self-important, egotistical morons - which I suppose is exactly what I would be like if something I actually designed that was, like, so big, actually got built). But quoting from the article that Adma posted, how in God's green earth could you apply this to 1ST?

There is an important place, he argues, for structures that put function before form and attend to a client’s needs rather than draw attention to themselves. “Many modernist works of our time tend to be self-important objects, and that’s a real quarrel that I have,†Mr. Stern said. “Buildings can be icons or objects, but they still have to engage with the larger whole.â€

I don't really even strongly dislike 1ST - it's certainly not to my taste - but in what way does this building not draw attention to itself, and how could you possibly say that it puts function before form? The entire building is an exercise in making the people who live there feel like they are arriving at a chateau instead of an early 21st Century condominium tower.

Later, Stern says “You can’t have a world that is built of only original things, where every shape is different from every other,†he said. “You can, but then it becomes a World Fair. You can’t have caviar five nights in a row.â€

But what else could 1St be except the appearance of caviar five nights in a row? In a city of modernist buildings with very few pre-WW2 highrises like Toronto, what is 1ST except an instance of "an original thing"? His words and his actions just don't match up. It seems to me, frankly, that many many buildings in Toronto riff off the city's dominant modernist paradigm, either ably or less ably, and buildings like 1ST are those that really try to stand out.

I'll be the first to admit that most architects public offerings are horrendous dribble, but Stern's seem somehow more obnoxious to me. So, although I'm not above jabbing at 1 St. Thomas, in fact, I feel almost forgiving of the building itself, if only it didn't remind me of Stern.
 
An intriguing and thoughtful post Archivist. Putting it this way, while not identical to my thoughts, is actually not too far removed from them at the same time.

You have explored quite deftly the obnoxious factor. I have to believe that most people who even casually get into Stern, the man, will see the same thing. But you cannot force the issue when there is not the will to look at these other elements.

While I mention these essentially emotional things, I ultimately try to bring them all into alignment with the non-emotional side during the evaluation of each and every one of his efforts. This building is not incompetent work, I just don't think it is good Architecture when all things are considered. Moreover, it represents a step away from progressive architecture in the Toronto skyline, even as it provides that dubious idea of variety, when other ways of accomplishing that would be more desireable - like preservation of the historical and the good, and/or demanding greater variety in progressive Architecture than has happened thus far.

As I see it, "progressive" Architecture is not a code word for Modernist Architecture - although it includes that collection of styles - it is a label applied to Architecture that responds to our time and beyond. It does not consequently retrofit the past in false terms.

Mind it or not, Stern's 1ST is here for some time to come, and I recognise that simple fact. For me it will represent a mis-step for others a "guilty treasure" or a pay-no-mind, and for those whom I will never understand, good or even great Architecture.
 
As I see it, "progressive" Architecture is not a code word for Modernist Architecture - although it includes that collection of styles - it is a label applied to Architecture that responds to our time and beyond. It does not consequently retrofit the past in false terms.

Just curious, but does X-Condo fall into the category of 'progressive' architecture as you define it? If so, why not 1 St. Thomas, whose frame of reference is merely a couple of decades further back in the twentieth century than X? All seems kind of arbitrary/subjective to me.
 
Just curious, but does X-Condo fall into the category of 'progressive' architecture as you define it? If so, why not 1 St. Thomas, whose frame of reference is merely a couple of decades further back in the twentieth century than X? All seems kind of arbitrary/subjective to me.

Well I have given my views on 1ST quite explicitly, and you have given your opinion here. I have actually addressed X Condo several times. Look back and you will see where it fits in my view. I have a feeling that you will be surprised.
 
X Condo

I am coming into this a bit after the fact, after not being on the forum for a bit, but I did search for Zephyr on X-Condo, and the small references I found I could agree with.

About this condo, I like that it takes as its inspiration a building that exists in our city. Apart from that, I sense disaster as it's materials and qualities are naturally compared with its crosstown original and found to be wanting. Also, for the life of me, I can't understand why a residential building would be designed so closely after an office building? To me, it's going to look like an office building that is a poor reproduction of the TD Centre that people are going to live in. I've never been fond of the project.

(And now I am guessing some mod will have to move this post over since I am off topic, but that's what they are there for, no?)
 
This isn't the first time this thread has temporarily veered off topic to discuss "glass boxes" ...

Will people considering buying an apartment in X naturally assume that it will have the same finishes and materials as the the 1960's corporate office towers that it pays homage to - and take trips across town to compare the two? Surely they'd more likely compare it to other condo buildings that they are considering as alternative purchases? I don't see boldly appropriating the essence of the outward form of a famous office tower for a condo building as a negative or psychologically disruptive thing - people can handle a museum that looks like a crystal, so why not have a bit of fun with a condo?

X is an homage to a Toronto Modernist landmark by a leading architectural firm working locally. They're increasingly prolific and their buildings aren't priced way beyond the reach of most purchasers. They work in a neo-Modernist style that is connected to the values that produced such buildings as the TD Centre, and Toronto is as good an example of a city that ran with that style for decades after WW2 as you will find anywhere. 1 St. Thomas, by contrast, gives us decorative art deco stylings by a famous foreign architect for the very rich. It is indeed the epitome of the "self-important objects" that Stern claims to see in Modernism.
 
About this condo, I like that it takes as its inspiration a building that exists in our city. Apart from that, I sense disaster as it's materials and qualities are naturally compared with its crosstown original and found to be wanting. Also, for the life of me, I can't understand why a residential building would be designed so closely after an office building? To me, it's going to look like an office building that is a poor reproduction of the TD Centre that people are going to live in. I've never been fond of the project.

Stern could have drawn inspiration for 1 St. Thomas from the Whitney Block at Queen's Park or Commerce court North. The style which informs 1 St. Thomas does exist in our city.

Also, Mies van der Rohe produced a number of apartment blocks that are aesthetically quite similar to his office buildings. Who's to say that the aA's design for X isn't an homage to Mies' Lakeshore Apartments in Chicago or Westmount Square in Montreal?
 
Or to go further, there are Miesian "urban vernacular" apartment diminutives in places like NYC and Chicago, i.e. the box isn't just something that denotes "office building".

Then again, this is Toronto, not NYC or Chicago...
 
The maker of boxes does not always begat boxes, and the masonry wall is sometimes transformed into glass.

The proverbial maker of boxes is of course Mies van der Rohe. But then one must consider this:


  • Mies did experiment with other forms than boxes, that much is known from looking at his sketches for various buildings. One of his ideas, while completed by students, started with curves. Those students eventually took this idea and created Lake Point Tower.

  • One of his most loyal students going back to the days when Mies became the last Director of the Bauhaus, still embarked on his career by often building only curved and rounded skyscrapers, with concrete and glass rather than glass and steel - Bertrand Goldberg, the creator of Marina City and River City.

  • Helmut Jahn went to IIT because he admired Mies, started in a firm that specialised in Miesian style boxes, helped design a few of the boxes like McCormick Place, and Daley Centre before he gradually broke away and built all types of glass buildings, some Neo-Meisian, Post-Modern, something curiously labeled Post Post-Modern, and the as yet unclassifiable. Jahn eventually refused to identify any style when speaking of his creations, those names come from others.

Stern, on the other hand, wanted to build a masonry-styled throwback like he had done before for the Comcast building in Philadelphia. Early versions kept with that plan settling on Kasota (Lime)stone until the very last minute when the project was nearly lost and then, and only then, he did what was uncharacteristic for him, he clad the entire skyscraper of his last prototype in glass - actually styling and shaping it into a distinctly non-historicist look. Masonry had indeed turned into glass.
 
There's often a correlation between accomplishment and tolerance. Obviously Stern is more accomplished, by any practical measure, than anyone on this board. And he obviously has an identifiable style. Yet, he is well known for fostering an environment at Yale where competing architectural styles find acceptance and expression.

And while he may be arrogant, at least its supported by a record. He's a blushing violet compared to his critics.
 
Stern's only "identifiable style" is the latest one he's lifted from some architect from another era, and traced onto drafting paper.
 
Sorry to put you on the spot US, I'm expecting you'll come up with examples of inspiration rather than mere tracing . I'm sure your sweaty rhinestone encircled fingers are already a blurr rummaging amongst your lovingly sorted reference cards in shoe boxes beneath your bed and in your closet. Easy on those clippings, they'll turn to dust...
 
Stern's only "identifiable style" is the latest one he's lifted from some architect from another era, and traced onto drafting paper.

I'm not sure I understand how Stern is 'lifting' a style, while X Condo is a loving "homage". They both imply copies, yet one is favoured over the other! Oh well, I'll leave it to far brighter bulbs than I here to explain that away while I continue to admire 1ST's pretty silhouette on the skyline.
 
Obviously Stern is more accomplished, by any practical measure, than anyone on this board. ...at least ... supported by a record. ... He's a blushing violet compared to his critics.

I see you have evaluated all of Stern's critics herein and have come to this lovely conclusion.

I cannot begin to understand this reaction, but I do know this - he has critics outside of this forum that are quite distinguished, even if you feel we critics here are unworthy of speaking to the same issues. I can also assure you that the whole lot of us are not uninformed, nor without a record of accomplishment in related fields.

If you like Stern, we can debate it without resorting to this, but those types of statements are guaranteed to draw fire.
 

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