Did someone actually suggest bronze or gold? That's a problem with today's forums. Junk gets passed around as, "at least it's different".
Royal Bank Plaza is but one building with actual gold in the glass. The articulated facade makes the gold shine. It has nothing in common with this building. I've yet to see a single brown/bronze coloured facade that looked good. Different doesn't mean better.
Nobody would build an overwhelmingly gold-coloured tower in 2013. Architects wouldn't propose it to a client, and a client would never build such a thing, even if they are a bank.
HUH? Oh man... reading comprehension isn't very big on this forum...
I didn't say it had anything in common with this building. The conversation was about wanting to see more brown/gold cladding in the south core to serve as a break from the homogeneity *not specifically applied to this building as it's "forming up to be as the renders offered" (posted by DarkSideDenizen 2013-Oct-25, 00:17).
Admittedly, you dismissed someone else's desire to see more brown and gold clad buildings in the south core as junk.... I was merely pointing out that one such building exists and surely isn't Junk! (judging by your response, I think you might even agree that the Royal Bank Plaza isn't junk! haha)
I guess there's a different kind of problem with today's forums lol
I've yet to see a single brown/bronze coloured facade that looked good.
Pure bronze facade: Seagram Building, New York: Bronze all the way with 'Whisky Tinted' brown glass.
Black steel and Bronze: The Toronto Dominion Center, with it's bronze-tinted banking pavilion and towers.
These are foundational buildings from one of the 20th century's premier inventors of modernism.
These building's aren't up for judgement as to their architectural and aesthetic merits.
But it's completely subjective as to whether or not you think more would be bad. Better to post it as opinion rather than as fact.
Personally, I would l-o-v-e to have seen more colour at southcore - and proper visionary, inventive modernism that shows the computer age we are in now, instead of old standards of modernism based on the repetitious makings of the assembly-line age.