Adma is on vacation for a few days because of the wording at the end of his post above. The ad hominem attacks need to end, to be replaced with civil discussion. What is this? The House of Commons?
42
42
Adma,
I am trying to say is that this block simply doesn't inspire me in any way as it currently is. I would hate to see a similar proposal for any part of Queen or King West of Spadina for example. I even have a hard time visualizing the block after passing through. And my standardsvof beauty aren't that high - case in point there are parts of Weston Road North of Eglinton that i love for some odd reason!
As usual your sentences are very showy, but good communicators don't disguise weak arguments behind abstraction. Is the word 'sophistry'? I am sure you will explain.
Except that it isn't just about "subjective feeling"--it's about the bigger context of what heritage has come to mean, encompass, etc in this day and age. Plus all the other little tripwires of the various elements already having been officially recognized as "heritage" (some, like Eclipse Whitewear, as far back as the 70s!), or of its already having rather singularly served as a de facto if not always de jure "historic district" on behalf of Mirvish publicity for several decades now, or, well, the sheer size, scale, and, yes, age (i.e. pre-modern--when it comes to "popular perceptions thereof", that usually helps) of the buildings. Whether it "inspires you" is Sunday-painter meaningless--in this context, their simple existence in 2012/13 as "what they are" is sufficient to override such overinsistent value judgment.
So, it isn't about whether it inspires you, or inspires me--personally, I'd rather take a strategically agnostic standpoint, perhaps because I know there's a plethora of seemingly sad-sack Weston/Eglintons out there to potentially "inspire" me. It's about this being a big whack of building fabric dotted with various forms of heritage and/or "cultural institution" status. And as such--that's where the controversy lies.
Gehry or no Gehry--though certainly, the "Gehry as bait" (or to quote National Lampoon, "Buy this Gehry or we kill this dog") factor looms high.
Queen/King W of Spadina--well, duh, esp. given the comparative clash of scale--though let's assume that a Gehry/Mirvish scheme proposed there would be "scaled down to context" from what's proposed for this present site. But even then, if such a scheme threatened a significant stretch of something that wasn't either a vacant lot or post-WWII "taxpayer"--expect controversy.
Look: this isn't about fear of the avant-garde or "monstrous carbuncles". And the issues of height, scale, infrastructure overload etc are red-herring abstractions that don't register with most. OTOH existing "heritage" building fabric is *not* an abstraction: it's palpable reality. And in this case, it's the tripwire par excellence.
Look at it this way: it's a near-certainty that the Mirvish block will be in this year's Heritage Canada Top Ten Endangered Places List. (And it'd not be the first "death by starchitecture" case in such a list--remember Bata?)
What on Earth are you talking about? With all due respect, would it kill you to write like a regular person? I get indigestion when I read these ostentatiously verbose posts. Whatever you're trying to say would be much better understood with more simple language.
As usual your sentences are very showy, but good communicators don't disguise weak arguments behind abstraction. Is the word 'sophistry'? I am sure you will explain. This block is nothing special. Gehry has potential. You know it, I know it. Since you're agnostic anyway, why so insistent?
It's about this being a big whack of building fabric dotted with various forms of heritage and/or "cultural institution" status.
Look at it this way, re your point about things being "uninspiring": with my, uh, "informed eye" (shouldn't we all have one?), I'd find a calculatedly meandering 5-hour slog to Niagara Falls or NOTL through all sorts of intermixed flotsam both poetic and dreary-sprawly to be, actually, more inspiring than a 1 1/2 hour quickie via the QEW to let the ooh! aah! Falls or NOTL inspire by themselves in coffee-table isolation. And I don't feel I even have to explain why; it should be self-evident (and my "agnosticism" is in my acceptance of the flotsamness of the flotsam).
And if you feel otherwise, or that being on such a drawn-out journey would be intolerable tedium...well, don't go on road trips with me.
Nonetheless, the point does seem to be simple, and easily understood: this is a whole block of pre-war architecture. It will be destroyed. While all too often something bland and mediocre does replace the old, in this case there will be something that many perceive to be "starchitect" worthy. To adma, that simply isn't enough to justify the loss of an entire block of heritage - in fact, almost all that is left on King West.
And yet your own analogy required a destination - The Falls or NOTL. I like the flotsam too, but I like a destination as well be it Gehry Towers, Mirvish Galleries or dinner at Edulis.
sorry adma but I think we're all tired of you maybe having a point, and possibly having an opinion. This isn't your own personal blog.