bengaijin
Active Member
Okay.
One more try:
Why is this building, of all the buildings underway in this city, worth calling out as the pinnacle of philistinism?
It has concept-free doodads galore, I'll admit, but so do any number of other projects. Including many of those by the vaunted aA. The majority of their work is exploration in concept-free doodad design. Wavy balconies, angled podium boxes, zig-zaggy striping, flecks of colour - these aren't concept-driven moves, they are decorations. Why is that these moves are admirable, but the decorative moves here - stepped crown, asymmetrical cladding - are worthy of such scorn?
I realize to some extent it's all a matter of taste, but I would think that as such an overt intellectual you would base your opinion in some notable categorical difference, and not just whim.
So again, why the hate? And why here and not elsewhere?
One more try:
Why is this building, of all the buildings underway in this city, worth calling out as the pinnacle of philistinism?
It has concept-free doodads galore, I'll admit, but so do any number of other projects. Including many of those by the vaunted aA. The majority of their work is exploration in concept-free doodad design. Wavy balconies, angled podium boxes, zig-zaggy striping, flecks of colour - these aren't concept-driven moves, they are decorations. Why is that these moves are admirable, but the decorative moves here - stepped crown, asymmetrical cladding - are worthy of such scorn?
I realize to some extent it's all a matter of taste, but I would think that as such an overt intellectual you would base your opinion in some notable categorical difference, and not just whim.
So again, why the hate? And why here and not elsewhere?