My take on that sculpture was that it was magical hideousness. Could never bond with it, personally. It reminds me of bad art... curious handling of the figure - rather crude and unstudied. Cool in a way, especially in how it was fabricated, and the montrous scale - but it never made me think of terms like "elegant" or "sophisticated" or "admirable." It was fascinating in a clinical way. Damned if I know what the artist was thinking, but then again I'm prepared to cut him lots of slack. People either like or work or don't. It happens.
Anyway, I'm glad it's gone from the Distillery; I really don't miss it. As for it being removed from the public eye - I don't know about that. I have every expectation that those who visit the lake by boat won't fail have a chance to be confronted by its graces.... you can't miss that sucker. In a way, I think it's found a better home in its present siting. It's more dramatic, not as hemmed in by grand old buildings. It now has a chance to breathe ... it looks larger, more monumental now.