She was also struck by Honolulu’s “tree museum”, which “charged the people a dollar and a half just to see ’em”, as the second verse relates. This was a reference to the island’s Foster Botanical Garden and its tree collection.
The song’s genius lies in the joyful, jaunty rhythm of Mitchell’s acoustic guitar and delightful melody being at odds with the sombre lyrics. This contrast is compounded by her brief, playful bass vocal and giggle at the end.
The last verse poignantly presses the message of taking precious things for granted, as it switches from the political to the personal. “Late last night I heard the screen door slam / And a big yellow taxi took away my old man.”
The myriad cover versions have included a variety of musical styles from artists on all rungs of the celebrity ladder. Bob Dylan produced a laboured, word-mangling effort in 1973 on the album
Dylan. In fairness, the record comprised several outtakes released by Columbia without his authorisation after he had left the record company.
California band Pinhead Gunpowder provided a high-speed punk rendition in 1992, and
Big Country’s rock version four years later infused it with eastern-sounding violin and percussion. Counting Crows had an international hit with the song after first recording it in 2002, and re-recorded it for the soundtrack of the 2006 film
Two Weeks.
Inflation made artists tinker with the lyrics over the years. Amy Grant swapped “a dollar and a half” for “25 bucks just to see ’em” in 1994, and Mitchell herself made it “an arm and a leg” on her 2007 version on the album
Shine. This was a jazzier, more reflective interpretation that also suited her ageing, deeper voice.
Over the decades “Big Yellow Taxi” has remained a “go to” tune for environmental radio and television programmes. With climate change now the planet’s existential challenge, the song looks set to keep ringing out for teenage campaigner Greta Thunberg’s generation and beyond.