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Alsop on Kensington Market

rdaner

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Could someone please post this article from the G&M:

Posted on 23/06/07
Is Kensington about to get a new suit?

JOHN LORINC
 
Hey rdaner, I am not sure if this is exactly what you were looking for, but I found an article by Hume on Alsop's Kensington:

ARCHITECT AS ARTIST
Will Alsop's Kensington Market is a neighbourhood at risk

Jun 12, 2007 04:30 AM
Christopher Hume

If Will Alsop had done nothing in Toronto after the "flying tabletop" at OCAD, his contribution would be enshrined forever.

But the London-based architect/artist remains committed to this city. As well as opening an office here, he is working on several other projects and, last week, opened his first exhibition of artworks at the Olga Korper Gallery.

Though it may not be immediately apparent, the subject of these multi-layered, multimedia pieces is our very own Kensington Market, a neighbourhood Alsop loves but also one he worries about.

"What interests me," he explains, "is that Kensington's so lively. But it manages to be vibrant by anti-design. At the same time, you know that developers are assembling sites as we speak. It's going to change. That makes me nervous. There's also a strong community in Kensington that will resist change. That's not good either. We need to figure out what we can do to make it better."

Being as much an anarchist as an artist or architect, Alsop's ideas aren't likely to be embraced by all Torontonians. As he points out, this city's openness to projects such as the Michael Lee-Chin Crystal, the Frank Gehry remake of the Art Gallery of Ontario and his own building on stilts at the Ontario College of Art and Design is a recent phenomenon.

"Toronto's still quite delicate in its newfound bravery," Alsop notes. "What I see here is a residue of colonialism."

The knee-jerk negativity of the reaction to Daniel Libeskind's Crystal at the Royal Ontario Museum points to the provincialism Alsop sees.

"It's fantastic," he says. "You can tell it suffered through a few budget cuts, but it's clearly an important building."

Given that so much of the criticism comes from the local architectural community, Alsop's willingness to praise the Crystal puts him in a category of his own.

But, Alsop insists, "I like it here. I feel comfortable. Toronto is an international city and that's the measure of things."

Certainly, he seemed comfortable at the opening of his show last week, surrounded by dozens of admirers and his ever-present entourage. Judging from the number of pieces marked sold, those in attendance liked what they saw.

The works themselves are more whimsical than anything. Alsop works by adding layer upon layer, often starting with geometrical patterns vaguely reminiscent of architectural drawings. Above them float images and shapes intended to conjure up the experience of Kensington, which is messy, unplanned and full of variety.

The same could be said of Alsop's approach to architecture. His greatest strength is that he doesn't suffer from the fear of failure that hobbles most practitioners. It's no wonder the work of so many architects is conservative to the point of dullness; they are trained to follow their clients' bidding and are, therefore, unwilling to take risks.

Alsop is happiest when pushing boundaries and dispensing with expectations. Being essentially playful helps; this is one designer who manages to be outrageous and reassuring at the same time.

There's no better monument to these remarkable skills than the Ontario College of Art and Design building; if any other architect had proposed a similar scheme – a building on stilts – the neighbours would have screamed bloody murder. Instead, the residents were the first to take credit for the project. Now that's brilliant.

With this exhibition, provocatively titled "Cultural Fog," Alsop establishes himself as a Torontonian in spirit if not in law. This may not be home, but it feels like it.
 
This is what I was looking for:

Is Kensington about to get a new suit?
Developers - and the local councillor - have big plans for the market's quiet laneways

JOHN LORINC

Special to The Globe and Mail

June 23, 2007

From his busy perch on Baldwin Avenue, haberdasher Tom Mihalik casts an appraising eye over Kensington Market and sees an area undergoing a kind of revival. "I see new faces and new owners and a lot of young people shopping and opening up stores," he says. So the owner of Tom's Place feels the market doesn't need a makeover so much as a bit of tailoring - repairing a cuff, fixing a seam, maybe adding a nice tie.

With Toronto's real-estate boom going strong all around it, Kensington can't remain tatty forever. As far as Mr. Mihalik is concerned, development in the market is good "as long as they don't try to change it into a mall." And though it may not look like a mall, development is certainly on the way: A group of investors has been quietly buying up land in the laneways and courtyards within Kensington's city blocks.

According to sources, British architect Will Alsop - the iconoclastic designer of the eye-catching addition to the Ontario College of Art & Design - is involved in the venture, possibly drawing up an area master plan that will include the crime-ridden Alexandra Park housing project on the south side of Dundas.

While Mr. Alsop was in town last week promoting an exhibition of his paintings of a reimagined Kensington, he denied having a commission. But he said the area is crying out for more density. "We'd love to be involved there."
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The Globe and Mail

The question is whether such moves are paving the way for the gentrification of Kensington Market.

For years, Kensington worked because it didn't quite work. The market's eclectic chaos evolved organically, thanks to generations of immigrant merchants operating in tiny shops on narrow lots, many with residences opening onto rear service laneways.

The streets aren't easily navigated, and fractured land-ownership patterns allowed Kensington to remain essentially unchanged for decades. "The market," area councillor Adam Vaughan says, "has naturally built-in deficiencies that allow it to survive."

But in the past few years, the roster of market merchants has grown to include a controversial Valu-mart supermarket, a spiffy chain bakery, several upscale restaurants and a pair of loft developments. Perhaps not coincidentally, the area's growing popularity has received a boost from Pedestrian Sundays, now in its fourth year.

The 16 investors behind the land assembly want to open up entirely new development opportunities by building mixed-use infill projects (a mix of retail, residential and other commercial buildings) along the market's network of laneways. Most are now difficult to access and lined with derelict structures, although there are several laneway residences. Mr. Vaughan has met with the investors and was shown architectural renderings. When it comes to the market's familiar streetscape, he says he has been assured "not one brick will be touched."

Mr. Vaughan also feels there are public-space improvements to made, such as transforming one parking lot - locked inside the block northwest of Spadina and Dundas - into an open-air market to complement the merchants operating on Kensington's internal streets. "The laneways create new ways of circulating through the market. If they were turned into mews, you could develop street faces and a whole new shopping environment that is car-free," Mr. Vaughan says. "Is there an opportunity to play here that the neighbourhood might be interested in?"

Any change may well be a tough sell for the market's famously anarchic denizens. "It's a whole big shift for the market," admits Yvonne Bambrick, one of the co-founders of Pedestrian Sundays. Like most Kensington aficionados, she worries about the spectre of gentrification, although she says there should be more housing.

While Mr. Vaughan insists that he's "totally committed" to establishing a public consultation process, it's far from clear how the city should respond to signals that redevelopment activity may be in the offing.

The city's traditional approach to the area has been one of benign neglect - a stance that helps sustain its funkiness and resilience. For the past few years, however, the city has had no secondary plan for Kensington, which is designated as a historically significant district in the official plan. "It's probably a Queen West waiting to happen," says one planning insider, referring to the development frenzy that slammed into the Queen West Triangle in the past two years.

In that case, city planners were caught unprepared for the rush of high-density development applications on several blocks between Queen and the railway corridor.

The conditions for a reprise seem ripe. As Mr. Mihalik points out, "Real-estate prices have gone up everywhere except Kensington. I would like to see owners who've been here for 30 or 40 years get a decent return on their investment. That's only fair."

The real estate is also more closely held than many residents assume. "It's a handful of people who own most of the properties here," says Victor Pavao, owner of Casa Açoreana, a café and bulk-food emporium on Augusta Avenue.

If the city moved to make the market's warren-like laneways more accessible - a process that would involve expropriations, public-space improvements and changes to the city's policy of rejecting laneway development - it could trigger a jump in real-estate prices as galleries, boutiques and cafés move in to these newly created mews.

At present, planning officials say they've received no formal or informal inquiries about development. The city isn't working on any sort of area planning study, which often signals to the development industry that an area is ripe for redevelopment.

The other piece of the puzzle is Alexandra Park, the Toronto Community Housing Corporation complex just south of the market. Mr. Vaughan confirms that the TCHC is studying the idea of a joint redevelopment along both sides of Dundas Street. "I have asked everyone to think of [them] as two neighbourhoods that could both benefit from collaboration," he says.

Mr. Alsop says he's intrigued by the notion of combining Alexandra Park and the market, as well as building funky infill projects, including some that would "hover" over the area - his signature design.

That kind of planning could lead to the provision of new affordable housing south of Dundas. But Mr. Alsop feels that such changes will also draw more tourists and prompt "wealthy people" to move into the market. Rents are unlikely to remain low, he adds, citing the way London's quirky Portobello Road market district became "super unaffordable" after being featured in the movie Notting Hill.

Change is inevitable, Mr. Alsop says. "Kensington could become a really interesting place." But then many would say it already is.
 
Change is inevitable, Mr. Alsop says. "Kensington could become a really interesting place." But then many would say it already is.

This kind of worries me. Kensington already is an interesting place...I'd hope the architect/developers would be aware of this before transforming the area.
 
I agree. Some people might love it so much the'll develop it out of existence.
 
I think it would be a shame for it to become more contrived and dedicated to tourists, but I think it's inevitable that develoments are going to surround it further and I suspect the neighbourhood is going to become more gentrified regardless. As stated in the article, more upscale restaurants and chains have already set up shop. But it's great to see a creative person like Alsop potentially involved in any direction for the neighbourhood. He certainly seems to recognize it's appeal and I think his involvmement and input would probably be quite respectful of the place and make an attempt to preserve some of it's unique character.
 
I'd love to see "the market" take over the entire Dundas-Spadina-College-Bathurst superblock. One of my few problems with Kensington is that it's a tad too small. Personally, I'd like to the ground floor of many more houses turned into retail, restaurants, etc.
 
^That would be awesome. The market is somewhat hemmed in though: on the south there's the housing project, Spadina is large enough to form a physical barrier on the east, Western hospital sits like a tumour on the west and then there are those housing projects along the south edge of College.

There has been some micro growth to the market along Nassau street, where Ronnie's and that DIY knitting cafe are.

It's interesting to see how the art scene sort of snakes in a weird "S" from Kensington, along Dundas west to Ossington, south along Ossington to Queen and then west from there into Parkdale.
 
Hovering table buildings that tied into Chinatown and Alexandra Park that left the Kensington we like reasonably intact could be very cool.
 
Maybe they'll lift the whole market onto stilts. Then a huge debate can ensue about what should go underneath.
 
This afternoon I finally caught the show at Olga Korper. Of course the gallery scene's quieter at this time of year, but there's still much to see.

There were about 20 pieces, all the same size and framed identically. Never having seen his art before - but having expectations and maybe even preconceptions - I was surprised by how resolved and "finished" each one is, and also by how different they are from one-another. Each is a little universe, with a visual language of colours and shapes of its own, and they're playful and whimsical like his buildings. But somehow, not sure why, I'd been expecting more of an evolution of ideas, an exploration that builds throughout the series of work ... and more sloppiness too.

I suppose I shouldn't be surprised - Alsop's extremely prolific, spins off lots of ideas, and creates finished products from them. And these paintings struck me as being in that vein, very much "products".

Considering how much work - and probably time - he's obviously put into the Kensington Market series, he's clearly taken this city to heart and is drawing creative inspiration from it.
 

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