Gardiner is belle of the ball
Jun 07, 2007 08:25 AM
Christopher Hume
The Gardiner Museum of Ceramic Art may be the smallest of the cultural projects now transforming the city, but so far it’s also the best.
Torontonians voting in the third annual Pug Awards agreed and gave the project an unprecedented approval rating of 81.5 per cent.
The Gardiner was one of 22 buildings up for evaluation in the Pugs this year. Eligible structures had to measure more than 50,000 square feet and have been registered in 2006.
The vote, which was held online in May, attracted 40,000 entries.
Scant support for the Be Bloor condominium, at Bloor and Lansdowne, made it the worst ranked building of the bunch; it received a positive rating on only 2.7 per cent of ballots.
The most popular residential project, One King West, trailed only the Gardiner, gaining a 77.7 per cent approval rating. Designed by Stanford Downey, the elegant 51-storey tower site sits atop and beside the old 1914 Dominion Bank Building, which has been incorporated into the condo/hotel complex.
Third place went to the Leslie Dan Pharmacy Building, at the northwest corner of University Ave. and College St. on the University of Toronto campus. This is acclaimed London architect Norman Foster’s first Canadian outing; it’s probably best known for the two enormous “pods” suspended in the glass-enclosed atrium. Illuminated at night with coloured light, these pods have become something of a local landmark.
Tip Top Lofts, a remake of the old garment factory on Lake Shore Blvd., garnered a 73.9 approval rating to capture fourth place. The Art Deco original has been lovingly restored and the extra floors on top were conceived with unusual sensitivity.
After that, it was the Federal Court Building at 180 Queen St. W. Like the Gardiner, it was designed by Toronto’s KPMB, an architectural practice known for excellence. Although the tower suffered a number of indignities at the hands of the city planner and its bureaucratic tenants, it managed to survive them all and stand out as one of the best new structures in the neighbourhood. Designer Tom Payne cleverly gave the building two faces. One, more formal, faces east to Osgoode Hall and City Hall. The other, facing south, addresses the more casual conditions of Queen West.
The second project of Toronto’s so-called Cultural Renaissance included in this year’s Pugs was the Four Seasons Performing Arts Centre. Designed by Diamond and Schmitt Architects, it was the only Renaissance facility to have been built from scratch; the rest were additions or remakes. Still, it managed no better than seventh place, with a positive vote percentage of 59.7 per cent.
Located at Queen and University, it has been praised mostly for its acoustics. Architecturally, it clearly disappointed a lot of people, which might have something to do with the choice to clad the building in nondescript black/blue masonry. The result is strangely industrial, an effect underlined by the fact that two of the four facades are almost blank.
The Ryerson School of Business, which came in 15th, was the only other non-condo site in the line-up. It got a 43.5 per cent approval, which some might consider generous given the unremarkable quality of the design by Zeidler Architects.
On the good side, the building is a superb example of mixed-use planning. In addition to Ryerson, it houses a parking garage and Canadian Tire store at grade. This is exactly the kind of combination that will allow the city to achieve the densities it needs in the age of climate change, when the need to stop sprawl has never been more urgent.
As usual, the institutional building scored better than their private-sector counterparts, but this year the gap was closer than ever. That’s the good news. The bad news is that all but one of the 10 lowest ranked buildings were condos.
The people have spoken; what more need be said?