When I first bought Theatre Park it was daunting, I don't think anyone thought we would get it done. I’m pretty sure everyone said "He's out of his mind, that’s a failure for sure." It was really just absolute determination and refusing to give up belief.
The City was against it initially?
We walked into the planning department, myself and Peter [Clewes], we showed them the building – the original building was different from the one we eventually went with, but it was still beautiful nonetheless – and the planner said, “Listen, if you want me to write you a refusal letter right now I will. This is never going to happen, this is never going to get built.” And I just thought, “Fuck, after meeting us for five minutes, this is what you say?" So Peter and I just left and said, “Oh yeah? We’ll see if this building gets built."
So we worked very hard, and we did have a councillor on our side in the end. He believed in the building and, you know, I saw today in the paper the Massey Tower. Now that building is on a zero lot line. I don't know what stage it’s in at planning. It’s going to be very difficult to approve and perhaps even more controversial than our Theatre Park condos. I’m not a super fan of it, it’s a nice building, but there are things I would have done differently with it. But I think it’s a nice building and it would be much better for the city if that got built. So the planning was difficult, we lost the councillor initially but Adam Vaughan came around eventually. We gave a lot of money under Section 37, we gave a lot of money for an arts contribution. You know, if you buy the land right, and you get enough density and you can sell it for enough money, a million dollars here and there for an arts contribution and Section 37 isn't the end of the world. It’s a $130-million tower, there’s money that can go towards the city that can make things right for them. The interesting thing about the art contribution is that we are working with five international artists right now to narrow down our art park...