Tewder
Senior Member
Indeed - PoW is the part of the strip that probably resonated most with the average person - be it due to their personal experience with the building or simply by its' namesake. We aren't talking about the architecture or heritage qualities here.
AoD
Why not? Who can predict with 100% accuracy what future generations may have come to appreciate in the POW, as architecture? Good grief, when will we ever learn to stop tearing down buildings in this city just because we are too myopic to see their long term value?? Regardless, as mentioned in the article you posted, its loss will certainly be felt as a theatrical venue, and an excellent one at that, no matter what the current climate for theatre in Toronto might be (besides, just wait a while, it'll change again).
Otherwise, I find most of the points in the article to be silly and fairly self-serving. Aubrey Dan for instance, “David’s vision makes more economic sense, especially in his location. The value per acre of raw land is probably worth more than the building’s net value today.†Ok, fine, but does this really justify tearing down a theatre? Based on this probably all of the houses on Broadway should be knocked down too, or in the West End. I mean, is anybody in commercial theatre foolish enough to not understand that there are many better ways to make bigger bucks with the same investment dollars? Then again, this is what I've always suspected about Mirvish, that he cares more about his paintings than he does about theatre. Not a crime but why not just be honest about it?