Ramako
Moderator
my Opinion of aA is that they will always turn out good designs, and the odd really good one, but they are not capable of true masterpieces. plus the sheer amount of buildings being built in Toronto by aA mean that it gets a bit monotonous. (there are currently 4 buildings proposed by aA over 200m, 2 more at 196m, and this one) I worry that by the end of this boom that the skyline will be too dominated by aA. aA is a good thing, but you can have too much of a good thing, and I worry that we are getting to that point.
I'd say that we're getting too much glass in general. aA catches a lot of anti-glass flack because they are probably the most prevalent of the many firms that use glass excessively as an external building material. The irony is that of all the firms out there doing glass, they do glass the best. So, they're an easy target.
If, for example, aA were the only game in town going all-glass, their buildings would probably shine more brilliantly than they do now, because their designs seem to thrive where they can emphasize contrast to other materials. Note that Pure/Clear Spirit, Market Wharf and the Four Seasons are all in neighbourhoods dominated by brick, concrete and stone... earth tones.
Now, Ice, I think would look amazing... if it were built anywhere else in the city, but given its location in Southcore, I expect that from most angles it will visually meld into the rest of the glass blob down there, hardly distinguishable from the rest to the casual observer. If Ice were, say, going up in the Yorkville vicinity, surrounded by brick, stone and concrete, it'd be dazzling in its modernity. By that same token, many would agree that most of the CityPlace towers west of Spadina are actually quite beautiful designs, but when taken together, their lack of variation creates a monotonous and oppressive mass. From a distance, you can't tell where one tower ends and another begins. Rather than looking unified, the neighbourhood looks undefined and shapeless.
That's exactly why, as you say, you can indeed have "too much of a good thing." As beautiful as aA designs are, when they're surrounded by nothing but more glass (and typically lower quality P+S or G+C glass at that) the purity of their expression is sapped. How can you identify the true prophets when they're surrounded by charlatans and pretenders? Sit and listen to each of them for hours until you understand the fine differences or just say "f*ck it" and walk away from the whole rabble? There's a reason that they used to give villains black hats and heroes white hats. All our film has is gray hats.
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