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Keep it simple, spare us frills
Mar 29, 2007 04:30 AM
Christopher Hume
Too much design can be just as bad as too little.
The three proposed schemes for Toronto's street furniture program, released yesterday, make that painfully clear. This trio of packages – each of which includes bus shelters, benches, notice boards, trash cans, bike racks and even public toilets – would give the city more than it physically needs but less than it psychologically wants.
No question, any of these "collections" does the job in terms of providing for the creature comforts of Torontonians and their visitors. But the real task here is to help create an image of the city, to make a statement about who we are and how we view ourselves.
The most familiar of the offerings, from Astral Media and Kramer Design, builds on the existing transit shelters and information kiosks that can already be seen throughout the city. Modern, even futuristic, the look here is clean, crisp but overly self-conscious. The Info-To-Go stands are especially intrusive; their large glass "wings" are distracting and so specific in style that it seems unlikely they will be able to fit in with the urban context no matter where they're placed.
A better approach would have been to fashion street furnishings that make a virtue of restraint and which perform their function without calling more attention to themselves than necessary.
The Kramer "multi-publication structure" is more successful; with its clean metallic exterior, it looks neat and tidy, designed to be noticeable but not noisy.
The second submission, from CBS Outdoors and Elements, seems to aspire to a state of almost perfect invisibility. The shelters consist overwhelmingly of glass, so much so that one can imagine people walking into them by accident.
The litter bin is straightforward, utilitarian and, to be honest, boring. Does that matter? Well, yes and no. Perhaps no one would expect a garbage can to be beautiful, but such a thing does exist. Despite their lowly purpose, don't forget, there will be thousands of these bins on Toronto streets. So why not make them as attractive as possible?
The third entry, Clear Channel and Zeidler Partnership, is the most exuberant. The designers have obviously set out to have fun and bring a sense of playfulness to the city. This is most evident in the "bicycle parking units," which have a nice Flintstone kind of wonkiness.
On the other hand, the bicycle lockers, a new addition to the streets, are clunky and would only make our already cluttered sidewalks more of an obstacle course. Besides, to install enough to make a difference would mean hundreds if not thousands; there just isn't enough space.
The Clear Channel multi-publication structures would do little to enhance the city; neither would their information/wayfinding kiosks.
Indeed, for some strange reason none of the designers seem to be able to deal with the humble information pillar. All have opted for bizarre objects with weird glass shapes on top, all utterly unconvincing. Think of those basic but dignified circular structures that were long a fixture in Paris and imagine what's possible.
As a great architect once said, less is more. Never was the truth of his words more apparent than in these schemes. There's something misguided, even ridiculous, about wanting to tart up a pole that will immediately be plastered with posters. So why bother?
Besides, isn't there something to be said for honesty in design? Let the thing be what it wants to be. If it's true that form follows function, then it's time for this trio to get back to the drawing board and start again.