I thought the Barber was a blast too, and enjoyed it more than last year's Met production... the key for me being the less slapsticky production by the COC.
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Pelleas et Melisande was a real treat. Everyone was on - Bayrakdarian, Braun, Hunka especially. The band played beautifully, as always. What a mysterious, wonderful work.
The split-level set - a dream landscape with a murky underworld, rather like the have/have not set of From The House of the Dead - worked for me. It reminded me, vaguely, of Van Gogh's Lift Bridge at Arles, or Hiroshige's Bridge in the Rain . An air of menace through strong, overbearing structure.