Over 400 artists participated in this year's Scotiabank Nuit Blanche, creating more than 120 exhibitions which were scattered throughout Toronto. Though the all-night art spectacle has ended—mostly—the essence of the event has been captured in hundreds of photos taken by the hundreds of thousands of revelers that walked the streets from Saturday evening to Sunday morning. 

The event featured over 80 installations by independent artists in addition to 48 projects produced by the City of Toronto. Split into four separate exhibition spaces, visitors had a chance to explore a variety of artworks throughout the downtown core, well within walking distance to each other. Five UrbanToronto photographers, including myself, went strolling through it all and came back with lots of photos. Below are some of our favourites. Click on any of them to see them larger!

Open Mind by Yoan Capote. Image by Jack Landau. Open Mind by Yoan Capote. Image by Jack Landau.

The Fort York area was teeming with activity as curator Magda Gonzalez-Mora brought the area to life with the exhibition space Before Day Break. One of the interactive installations, Open Mind by Yoan Capote, invited people to walk through a maze of steel fencing. When viewed from above the piece resembles the human brain, with those walking through the maze acting as neurons firing within. UrbanToronto will be delving deeper into this project—one of several which are still on display—in another story coming up soon.

Within the maze of Open Mind by Yoan Capote. Image by Craig White.Within the maze of Open Mind by Yoan Capote. Image by Craig White.

Open Mind by Yoan Capote. Image by Ankit Sardesai. Open Mind by Yoan Capote. Image by Ankit Sardesai.

Between Doors by Labspace Studio's John Loerchner and Laura Mendes asked people to continually make choices. Faced with a set of doorways, participants chose which one to enter. Upon entering the doorway of their choice, participants were faced with another line of doors and another and so on. The choices of each person were then tracked and visualized on a large screen, making this installation one of the most interactive of the night. 

Between Doors by John Loerchner and Laura Mendes. Image by Craig White.Between Doors by John Loerchner and Laura Mendes. Image by Craig White.

Between Doors by John Loerchner and Laura Mendes. Image by Craig White.Between Doors by John Loerchner and Laura Mendes. Image by Craig White.

One of the independent projects that garnered attention was Kaleidoscopic by David + David. Set up at CityPlace's Canoe Landing Park, a giant kaleidoscope lit up the area and invited people to take in its bright images. 

Kaleidoscopic by David + David. Image by Jimmy Wu.Kaleidoscopic by David + David. Image by Jimmy Wu.

Canoe Landing Park is also home to the Red Canoe by Douglas Coupland. The piece of art accompanies several other permanent artworks on the site of Concord CityPlace, Canada's largest collection in fact, such as the Puente de Luz bridge spanning over the rail tracks. Concord ArtSpace invited people to see this "outdoor museum" and visit the CityPlace presentation centre to learn more about the artists and their works. 

Inside the Concord CityPlace presentation centre. Image by Jack Landau. Inside the Concord CityPlace presentation centre. Image by Jack Landau.

Spadina Avenue was hopping with activity as Dominique Fontaine's exhibition space The possibility of everything took over Chinatown and Queen West. The night's most visible installation, Global Rainbow by Yvette Mattern, lit up the sky above Spadina. The piece projected colourful laser beams of light from a Chinatown parking garage to the CN Tower, making for some highly unique shots of the city. Those who missed it are in luck however, as this project will continue to light the sky until October 13. 

Yvette Mattern's Global Rainbow. Image by Jack Landau. Yvette Mattern's Global Rainbow. Image by Jack Landau.

Yvette Mattern's Global Rainbow. Image by Jack Landau. Yvette Mattern's Global Rainbow. Image by Jack Landau.

Yvette Mattern's Global Rainbow above Chinatown. Image by Marcus Mitanis.Yvette Mattern's Global Rainbow above Chinatown. Image by Marcus Mitanis.

At Spadina and Grange Avenue, BLACK SUN by Alexandre Arrechea transformed a blank building wall into a projection of a large wrecking ball which represented fragility and loss as it violently swung back and forth. 

BLACK SUN by Alexandre Arrechea. Image by Jack Landau.BLACK SUN by Alexandre Arrechea. Image by Jack Landau.

Also on Spadina, By Means of a Sigh by Chloé Lefebvre and Jean Dubois asked viewers to call the provided number and blow into their phone, controlling the breathing of two people blowing bubble gum on a large screen, until the inevitable burst. 

By Means of a Sigh by Chloé Lefebvre and Jean Dubois. Image by Jimmy Wu.By Means of a Sigh by Chloé Lefebvre and Jean Dubois. Image by Jimmy Wu.

Made in China by Maria Ezcurra, comprised of clothing appropriately made in China and donated by the Chinese community in Toronto, stretched three storeys above the Spadina sidewalk. Hanging above an empty space between buildings, the piece represents the connection between Western and Eastern society. 

Made in China by Maria Ezcurra. Image by Jack Landau. Made in China by Maria Ezcurra. Image by Jack Landau.

One of the most colourful projects lit up the grounds of Ogden Junior Public School on Phoebe Street just east of Spadina. Walk among Worlds by Máximo González consisted of 7,000 beach balls painted to represent Earth, with each globe representing one million people. The globes come in three sizes, reflecting the differences between the "first" and "third" worlds. The changing colours of the installation attracted thousands of people, proving to be one of the most popular artworks on display. 

Walk among Worlds by Máximo González. Image by Jimmy Wu.Walk among Worlds by Máximo González. Image by Jimmy Wu.

Walk among Worlds by Máximo González. Image by Marcus Mitanis.Walk among Worlds by Máximo González. Image by Marcus Mitanis.

Moving down Queen Street West, Coalesce by Lizz Aston transformed the H&M storefront with recycled garments as part of H&M's Garment Collecting initiative. 

Coalesce by Lizz Aston lights up Queen Street West. Image by Jack Landau.Coalesce by Lizz Aston lights up Queen Street West. Image by Jack Landau.

The massive crowds provided great opportunities for local buskers to perform. Queen Street West was overflowing with people who gathered around to take in the talents of these performers. 

Crowds form around a busker on Queen Street West. Image by Jimmy Wu.Crowds form around a busker on Queen Street West. Image by Jimmy Wu.

Crowds form around a busker on Queen Street West. Image by Jimmy Wu.Crowds form around a busker on Queen Street West. Image by Jimmy Wu.

Moving further along Queen, Marcos Zotes transformed the parking lot at Soho into a vibrant labyrinth with AMAZE. Visitors were invited to find their way through a maze of scaffolding while light and sound effects overtook the space. 

AMAZE by Marcos Zotes. Image by Craig White. AMAZE by Marcos Zotes. Image by Craig White.

Walking along Queen West, one of the largest pieces of artwork this year becomes visible. Hovering over Queen and John, Gap Ecology by David Brooks consisted of seven cherry pickers filled with palm trees. Acting as a metaphor of the changing built and natural environment, the many unique perspectives of the piece provided photographers with some great opportunities. 

Gap Ecology by David Brooks. Image by Jack Landau.Gap Ecology by David Brooks. Image by Jack Landau.

Looking up John Street at Gap Ecology by David Brooks. Image by Jimmy Wu.Looking up John Street at Gap Ecology by David Brooks. Image by Jimmy Wu.

Gap Ecology by David Brooks. Image by Jimmy Wu.Gap Ecology by David Brooks. Image by Jimmy Wu.

Gap Ecology by David Brooks hovers over Queen and John. Image by Ankit Sardesai.Gap Ecology by David Brooks hovers over Queen and John. Image by Ankit Sardesai.

At Duncan and Queen, Shy Lights by Nathan Whitford featured six beams of light moving to avoid illuminating the participants below. The artwork became a game of cat and mouse, with people trying to catch the light before it moved to an adjacent empty space. 

Shy Lights by Nathan Whitford of Urban Visuals. Image by Jimmy Wu.Shy Lights by Nathan Whitford of Urban Visuals. Image by Jimmy Wu.

Nathan Phillips Square is always bustling with people during Nuit Blanche and this year was no exception. Curator Heather Pesanti presented Performance Anxiety, an exhibition of performance-based projects at City Hall.

HALFLIFE by Shasti O'Leary-Soudant released one hundred "carriers" throughout the city to test participants for the "HALFLIFE virus" by using UV reactive ink markers. The piece represents the human fear of apocalyptic events and also emphasizes both desired and unwanted human connection. 

HALFLIFE by Shasti O’Leary-Soudant. Image by Craig White.HALFLIFE by Shasti O’Leary-Soudant. Image by Craig White.

HALFLIFE by Shasti O’Leary-Soudant. Image by Jimmy Wu.HALFLIFE by Shasti O’Leary-Soudant. Image by Jimmy Wu.

Lighting up the square with a large video screen was the Monument to North American Energy Security by the CanAmerican Energy Arts Team. Consisting of two large oil barrels connected by a pipeline, the piece represents Canadian-American energy independence while the fountain's waters beg the question of its cost. 

Monument to North American Energy Security. Image by Craig White.Monument to North American Energy Security by the CanAmerican Energy Arts Team. Image by Craig White.

Just west of Nathan Phillips Square, Luigi Ferrara's The Garden of Renova utilized coloured bathroom tissue to create a space resembling a garden, inviting people to walk through the "earthly paradise". 

The Garden of Renova by Luigi Ferrara. Image by Marcus Mitanis.The Garden of Renova by Luigi Ferrara. Image by Marcus Mitanis.

The Garden of Renova by Luigi Ferrara. Image by Ankit Sardesai. The Garden of Renova by Luigi Ferrara. Image by Ankit Sardesai.

Michael Oatman and Brian Kane overtook Union Station with 8th Wonder, a large monster of a sculpture accompanied by varying sounds echoed throughout the atrium of the hall. 

8th Wonder by Michael Oatman and Brian Kane. Image by Marcus Mitanis.8th Wonder by Michael Oatman and Brian Kane. Image by Marcus Mitanis.

The last of the four exhibition areas, Denise Markonish's The Night Circus was located on and around Bremner Boulevard in the Southcore district of the city. 

Wild Air Vision Electro by Gene Pendon and Marisa Gallemit transformed two vehicles through a variety of materials including paint and lighting. One vehicle becoming the "adventure" vehicle and the other the "high-tech" vehicle, the colours of the piece played well with the lighting of the CN Tower above. 

Wild Air Vision Electro. Image by Marcus Mitanis.Wild Air Vision Electro by Gene Pendon and Marisa Gallemit. Image by Marcus Mitanis.

Possibly the most mesmerizing project of the night was HOLOSCENES by Lars Jan. It featured a large glass box filled with twelve tons of water as performers inside carried out everyday activities, such as reading the newspaper and cooking ramen. 

HOLOSCENES by Lars Jan of Early Morning Opera. Image by Craig White.HOLOSCENES by Lars Jan of Early Morning Opera. Image by Craig White.

HOLOSCENES by Lars Jan of Early Morning Opera. Image by Marcus Mitanis.HOLOSCENES by Lars Jan of Early Morning Opera. Image by Marcus Mitanis.

Though we cannot show all of the installations, the video below captures some of the sights and sounds of Nuit Blanche. 

video by Craig White

Though the night-long event is now over and the streets have been taken back by cars, the speculation and excitement begins as people wonder what is in store for the 10th annual Nuit Blanche in 2015. There is no doubt however that UrbanToronto will be there and we hope you will be too. 

Did you attend Nuit Blanche this year? What did you think of the exhibits? Let us know by leaving a comment in the field below. If you have photos of the event, you can contribute them to this thread.