Tewder
Senior Member
... or simply as popular? People have a connection to those signs that runs beyond the 'academic'.
How about I'll be more careful in my descriptions if you'll be more careful about blatantly mis-quoting people?
What about a retail sign museum? Gather them all up as development rolls along. Sam the Record Man's neon, the old Eaton's and Simpson's signage, the orange Harvey's that was once on the corner of Bloor and Yonge, Cash Money Payday signs that once ran up and down Yonge--I'm sure someone somewhere has emotional attachments to them all...
Josh Matlow supports bringing back the signs: https://twitter.com/joshmatlow/status/135457805724422146
Let's hold him and other councillors to it.
Are there fears that they may deface Snøhetta's clean design?
This would be my fear....of course the signs are important, and should be saved, but within the right context...the best place would be somewhere on the square...tacking them onto the beautiful Snohetta building would be totally out of context, and would mess with the artistic integrity of the new building..
Small things seem big when you're really close to them. This, I argue, is the main driver behind the brouhaha over the Sam's sign. The more they mean to you personally, the more important they will seem.Not so much misquoting as it is a simple substitution. If you don't want Sam the Record Man's signs back, give a reason other than the very vague and subjective 'it's only sentimentality'. How don't they fit? Are they ugly? Why shouldn't they remain in the area? Are there fears that they may deface Snøhetta's clean design? Do they cost too much?
When the signs were still up and the store fresh in memory, I recall that the prevailing sentiment was that they were practically sacred fixtures. Now, with the passage of only a few years, a more "I could take it or leave it" attitude is becoming more common. In yet another decade how significant will this signage seem? To people who have no memory of the store? To people who will have no memory of what a "record" is? In a context where they will be overwhelmed by other, more high-tech and gargantuan distractions? They will be two, small, spinning neon discs of uncertain provenance and obscure meaning. A curiosity maybe, to the extent that they will even be noticed.
As for your other point, I would never make this same statement about the Board of Trade building, or the General Post Office, or what have you. And yet you have quoted me as having done so. This is what is commonly understood by the term "misquoting."
The significance of the Sam's sign is strictly sentimental. It's important to those for whom it evokes personal memories. For everyone else it's "what the hell is that thing?"
The sign shown in the rendering is obviously not the one that some people are concerned about. And even that much looks ridiculous.
Metroman said:That being said, a good compromise would be to hang the original sign in the Student Learning Centre's lobby as a piece of modern art and then commission an artist (i.e. United Visual Artists) to design a modern interpretation of the sign on or behind the glass of the building facing Yonge St.
http://toronto.openfile.ca/blog/cur...ecord-man-sign-may-not-be-returning-yonge-str
As recently as last April, Levy told the National Post "when we took down the records, we had negotiated with the city that they can appear on one of the buildings. They are going up high on the existing library," meaning the current Jorgensen Hall.
I don't think the sign really belongs at Ryerson. You can move it to Dundas Square though. Or a museum.
Though if I never saw the sign again I wouldn't lose any sleep over it.